вЂќThank you for coming, Richard,вЂќ said Ben, sounding a touch surprised that Alpert even bothered. Ultimately they were all subdued, with Sayid taking down Keamy in a nicely choreographed mano a mano struggle marked by quit cuts and bloody loogies - but it ultimately took the last-second intervention of Alpert to settle the matter. Did you hear the Whispers start their whispering just before the Others made their move? (WeвЂ™d hear them one more time in the episode, and in a more unexpected, unprecedented locale.) I liked KeamyвЂ™s Hacky Sack action with the grenade, expertly kicking it over to another mercenary, who was then blown away by it. The cliff-hanger from the previous episode resolved itself pretty quickly when Richard Alpert and the band of merry Others ambushed KeamyвЂ™s men and liberated their once-exalted leader. вЂќNo PlaceвЂќ wasnвЂ™t the magic act of last yearвЂ™s flash-forward fake-out, but it was more meaty, more emotional, more epic, and, with a gulpy leap into WTH? sci-fi, maybe more ballsy. The final moments even ironically echoed the first seasonвЂ™s famous twin cliff-hangers, with a raft at sea and two men peering into the abyss of a dark box - the coffin of one Jeremy Bentham, who looks a lot like a certain boar-hunting bald man weвЂ™ve come to know, love, and fear the past four years. Heck, the whole show was rebooted from the beginning, with Jack the Hero falling from the sky and rising to action and building a community out of lost souls, just as he did in the pilot. Old moments were revisited and re-examined, if not reinvented. вЂќRewindвЂќ was the operative word for вЂќNo Place Like Home (Parts 2 and 3).вЂќ An orientation film mysteriously looped back on itself. The season finale of Lost was a major leap backward for the show, and I mean that with a big wink and much admiration for a powerful conclusion to a bold, winning season.

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